Batmanâs whole basis is the idea of scaring criminals, right?
well, sure, outright intimidation through brute force works for that.
But the whole reason a bat was chosen is that the average person doesnât understand how cute and cool they are, and finds them creepy and gross.
So letâs play that up. A Batman who uses his training in escape artistry, stage magic, and contortionism to move in ways people think humans shouldnât be able to move. A Batman who reacts to things that he shouldnât be able to (because his suit is wired with sensors and Alfred is monitoring things through hacked security feeds). A Batman who has a Slasher Smile.
Give me a Batman who, for the villains, seems like a cryptid. An urban legend on the level of creepypasta, some half-glimpsed shadow who, instead of being scary because of his muscles, is scary because holy shit what was that? What just happened? Iâm outta here, man!
Give me a Batman where his battles with characters like Scarecrow and the Joker seem more like one of those crossover films where two horror movie monsters fight it out.
reblog, this had exactly one thousand notes. I was not expecting that, so i feel i should specify in regards to Robin:
I mean a Robin who is unsettling precisely because of people having the reaction of what the fuck is this bright and cheery child doing hanging around with an escapee from the SCP Foundation?Â
I mean a Robin who is a little too bright and cheery, maybe. And you start to wonder amidst all the smiles and quips, why exactly this particular ârobin red-breastâ has that shade of red on their chest. Why the red looks a little more brownish, why this child smells coppery when they lean in close to tell a joke. Are you sure theyâre a child? Are you sure thereâs just one of them?
While youâre wondering this, back at the Batcave, Bruce and the like six different kids who act as Robins are having a laugh and reapplying the fake blood Alfred bought in near-bulk quantities at the Gotham Party City during the last After-Halloween sale.
I canât believe Gotham has a Party City that hasnât been burnt to the ground by citizens convinced supervillains are about to converge on it (see also: florists, refrigerated storage units, aquariums (pet shop and public alike), joke/magic shops, costumers, haberdasheries, etc).
okay, so. the thing that kills me about Wonder Woman is that itâs so, so absurdist, and in the best way. all of the characters except diana go into the entire thing knowing that the war might never end, that the people in charge of their armies donât give a flying fuck about what happens to the people on the ground, that everything they do might not even matter in the long run. steve even says when heâs on themyscira that it seems like the worldâs going to end.
one of the most famous lines by camus (who was an absurdist) is âin the middle of winter i at last discovered that there was in me an invincible summer.â the entire point of absurdism is staring into the void and saying, âno, i refuse.â the world is empty and bleak and meaningless, and you could choose to be nihilist about that, or you could pick yourself up and create the meaning you want to see. and thatâs what all of the characters in wonder woman do.
when he gets in that plane steve knows, he knows, that they still might not win the war. he knows diana might not be able to kill ares. he knows dr. poison might still escape. he knows that people are still going to die. and you know what? he gets in the plane anyway. he stares into the face of a war that might never end and says, well, i can save today. and that is what matters.Â
sam and chief and charlie watch their friend run toward a plane and know heâs on a suicide mission (that might not even save the war!) and they yell to stop him at first and then they cover him like he asked them to because even when they hate it, they respect his ability to make his own decisions and they hold up their end of the deal. they risk their lives helping him risk his because itâs what they signed up to. itâs what they should do.Â
when diana leaves themyscira, she knows she might not live to come back. sure, her character is driven by a kind of relentless optimism, but itâs a chosen optimism, not a naive one. she might die, but sheâll be damned if she dies doing anything other than what is just, what is her duty as an amazon. her mother says, âwhat if you never come back?â and dianaâs reply is, âwho will i be if i stay?â
when steveâs on the plane and it looks like theyâre all about to die, all sam and chief and charlie do is they lean in to each other. yeah, the worldâs ending, so what are we gonna do? weâre gonna spend those last moments with each other. weâre gonna close our eyes and know that we did all that we could and even if it ends up doing nothing to affect the war as a whole, well, at least we did something.
thereâs a story from the holocaust about a group of jews reciting prayers when one stops and says âwhy are we doing this? weâre about to die. only a madman would say these prayers now.â and the rabbi looks at him and quietly says, âour enemies have taken everything from us, but they cannot take our freedom to say these prayers. we must live as free men temporarily in captivity. that, if necessary, is how we will die.â
the characters in wonder woman push on even when they think it might be pointless, because that is the point. absurdism is about accepting that maybe youâll never be able to make everything right, you might not even be able to make everything okay, but you can always do something. you can walk into the unending darkness, hold up a lighter, flick it on and say, âi win.â and in doing so, you will have won.