You know how people speak and act differently depending on who they’re around? Different body language and choice of words for their family, their friends, strangers, authority figures, and so on. That’s called code-switching. 

Jebediah code-switches more smoothly, more thoroughly than any other fictional character I’ve ever run into. Body language, word choice, gestures, even accent. His ‘neutral’ accent is unidentifiable because it isn’t really any single accent, it’s a blend of multiple things, but most closely sounds like it’s from somewhere in Africa. 

From there, he can swing to any accent he’s heard for long enough, and it doesn’t take him long. Far less time than it takes for him to figure out the right body language to use in the situation. This makes for a rather hilarious contrast sometimes, if his body language is somewhere refined and withdrawn and his word choice and accent are starting to slide into something less so. Or the other way around- posh English accent is hilarious when paired with Italian phrases and body language. 

Once it all settles, though, it’s perfect. Helps him get along with people a bit better if he can accurately mimic local mannerisms, and none of it is a lie, after all. It’s not faked, and it’s not even intentional any more. He tries to fit in, is all.

and-a-pidgey-in-a-wepear-tree:

scoutdoesstuff:

nonbinaryjasontodd:

twitter canceled

It becomes a pattern in the aftermath. 

Bruce has set up a makeshift lab in Wakanda, while the world takes stock of their dead and Wakanda mourns for their king. Bruce isn’t doing anything important, but he needs to do something, so he studies Wakanda’s vibranium supply and attempts to keep Shuri busy. 

Otherwise, the grief might just be too much for the both of them to bear. 

Bruce also tries very hard not to think about Tony and what form of matter Tony may or may not be at this very moment. He’s only moderately successful. 

It’s on the third day of the second week after half of the world has turned to ash that Thor brings Bruce a little green snake. Bruce is baffled, but he tried to be polite about it. Bruce is heartsick, though, so that makes everything a little harder. 

Then Thor asks for Bruce to see if the snake is Loki, and it takes every bit of willpower Bruce Banner poses to not burst into tears. Thor is so strong and so keen to smile, he makes it so easy for everyone to forget that he has lost nearly everything. 

Bruce pokes at the snake without any further complaints. When nothing happens, the grief on Thor’s face is unimaginable. 

Bruce begins spending time with both Thor and Shuri, in a desperate attempt to combat his own grief by combatting theirs. 

All the while, every second or third day, Thor brings Bruce a small green animal and asks Bruce to see if it his lost brother. Bruce checks every time, with care and precision, but the result is always negative. It’s awful for both of them, but Thor can’t seem to stop and Bruce doesn’t know how to make him. 

This pattern holds for a few weeks, until Thor brings Bruce a beaten and battered lizard. It’d been burned somehow and it looked like one of its limbs had been badly broken. When Thor presents it to him, Bruce honestly isn’t sure if Thor had just brought the little thing to Bruce to see if it could be saved. 

“Could you check?” Thor asks, the question quiet and hurt after so many weeks of negative results from Bruce’s prodding and poking. 

“Of course,” Bruce says softly, adding his portion of the call and response. 

He gingerly picks up the lizard, as the poor also looks like he’d been through the wringer, and gives him a quick once over. Bruce’d been right about the broken leg and the burns were pretty –

The lizard fucking turns into Loki. A damaged, burnt Loki who scuttles backward on a broken leg while spitting blood. 

Thor bursts into tears. Bruce bursts out laughing. Everyone has their own way of processing grief and shock and grief turned into shock, apparently. 

It’s later, when they’ve gotten Loki a little patched up, convinced Okoye not to kill Loki (”He tried to destroy the world!” she says – “He’s gotten better,” Bruce says), and Thor’s eyes were mostly dry, that Loki finally says through clenched, bloodied teeth: 

“They’re in a pocket dimension.”

“Who?” Bruce whispers, stunned. 

“Everyone. I told him he’d never be a god. He was just a warlord playing at being something powerful. He should’ve fucking listened.”

JUST THIS ONCE, ROSE, EVERYBODY LIVES

haru-n-harkel:

purronronner:

prince-atom:

actually-alice:

plantanarchy:

throskuldinum:

moriquendii:

lapisbuchananlazuli:

periegesisvoid:

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demo-ness:

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w3rewolf-th3rewolf:

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fuchsiamae:

silverilly:

repulsion-gel:

fuchsiamae:

an incomplete list of unsettling short stories I read in textbooks

  • the scarlet ibis
  • marigolds
  • the diamond necklace
  • the monkey’s paw
  • the open boat
  • the lady and the tiger
  • the minister’s black veil
  • an occurrence at owl creek bridge
  • a rose for emily
  • (I found that one by googling “short story corpse in the house,” first result)
  • the cask of amontillado
  • the yellow wallpaper
  • the most dangerous game
  • a good man is hard to find

some are well-known, some obscure, some I enjoy as an adult, all made me uncomfortable between the ages of 11-15

add your own weird shit, I wanna be literary and disturbed

The Tell-Tale Heart, The Gift of the Magi, The Celebrated Jumping Frog of Calavaras County, Thank You Ma’am

the box social by james reaney. i remember we all had to silently read it in class, and you would hear the moment everyone reached the Part because some people would audibly go “what”

wHat did I just put my eyes on

“The Veldt” by Ray Bradbury

Not quite a short story, but read in class: “The Monsters are Due on Maple Street” from The Twilight Zone

Harrison Bergeron, Cat and the Coffee Drinkers

“Where are you going and where have you been” by Joyce carol oates

“The Pedestrian” by Ray Bradbury

the lottery by shirley jackson

i can’t believe Roald Dahl’s “The Landlady” wasn’t already mentioned

and also it’s not so much unsettling as more absurdist but “The Leader” by Eugene Ionesco definitely made me go wtf

Ett halvt ark papper.
I cried so much.

Ночь у мазара, А. Шалимов

A Sound of Thunder by Ray Bradbury

I Have no Mouth, and I Must Scream by Harlan Ellison

The Lottery by Shirley Jackson

All Summer in a Day by Ray Bradbury 

Some of Us Had Been Threatening Our Friend Colby, by Donald Barthelme

We read lots of good disturbing shit in hs or in the writing groups I joined in hs but somehow the top of the heap for shit that haunted me’s still indisputably Ethan Canin’s “The Palace Thief”. It’s not horror as such but it freaked me the fuck out. 

There was another O. Henry short story we read that was also really alarming but I had to google a major spoiler (which is also a warning) to recall the name – “The Furnished Room”.  

there will come soft rains by bradbury was very unsettling for middle school me

I had no idea so many were all written by Ray Bradbury, why did he do this to us

“Emergency” by Dennis Johnson – not entirely disturbing but really weird and there’s one Bad Part

“A Small, Good Thing” by Raymond Carver – again not all that bad but sad and kind of creepy 

i had to read a collapse of horses by brian evenson for a writing class last year and it’s. very fucking weird

“the birds” by du maurier

Bradbury wrote a lot of weird shit. But, “The Book of Sand” and"The Library of Babel" by Luis Borges.

“It’s a Good Life” – Jerome Bixby
“The Little Black Bag” – Cyril M. Cornbluth
“The Cold Equations” – Tom Godwin
“The Nine Billion Names of God” – Arthur C. Clarke
“Mars is Heaven!” – Ray Bradbury
“Born of Man and Woman” – Richard Matheson
“That Only A Mother” – Judith Maril
“The Country of the Kind” – Damon Knight
“Mimsy Were The Borogroves” – Lewis Padgett
“Lamb to the Slaughter” – Roald Dahl
“We Can Get Them For You Wholesale” – Neil Gaiman
“BLIT” and “Different Kinds of Darkness” – David Langford (set in the same universe) (there are a couple of other “basilisk” stories and they’re worth checking out)
“The Secret Number” – Igor Teper

The Turn of the Screw by Henry James

Nearly anything by Borges tbh, he specializes in unsettling

Technically read it on my own in high school but Guts by Chuck Palahniuk wigged me out for a while.

Also, from college, A Very Old Man With Enourmous Wings by Gabriel Garcia Marquez.

Magical realism as a genre and genres inspired by it have some nutty fucking short stories and there are a lot that I remember imagery from but not the titles or authors (Borges is one).

POPULAR MECHANICS

I forget the title, but there was a story in one of my textbooks where the narrator  hangs a kitten after his dad can’t stand its mewing and says someone should kill it.  He gets in very deep trouble with his parents, and his dad says he didn’t mean it.  I felt weird for days.  We didn’t read it in class, but I was one of those bright kids who did extra reading.  For fun.

“Leiningen Versus the Ants,” Carl Stephenson.

“The Voice in the Night”, William Hope Hodgson

“Survivor Type”, Stephen King

Not sure if it counts, but “Taily-Bone”. Note: we didn’t actually *read* this.

We were forced to sit in a dark room as an audio book was read aloud for everyone. 1st grade. Every day for a week. I don’t even remember why. Just… Taily-Bone.

*shudder*

When I was 8 I read part of War of the Worlds. I got to the part where the aliens drink all the fluids out of a live guy, got totally freaked out, and put the book back on our shelf. Specifically, I put it back on the shelf that I hadn’t realized was intended to be out of my reach. Behind all the other books, because it freaked me out enough that I evidently decided the logical thing to do was to hide it.

sacrificethemtothesquid:

brynwrites:

There are two types of writers…

Writer A: “I’ve fleshed this character out to the point where they’re more real then I am. I know everything about them, including their blood type, their thirty-first favorite song, what they did for their sixth birthday, and which brand of apples they prefer.”

Writer B: “This character exists as a full person in my head, but I know absolutely nothing about them. Once I forced them to talk about themselves,  and they simultaneous lied about their past and told me accurate trivia facts I don’t remember learning.”

Writer C: “I’ve fleshed out this character to the point- wait. Where are you going? And- that’s not in character. You wouldn’t say that. You wouldn’t DO that, not with- but your backstory, you- no, that’s not-”

sacrificethemtothesquid:

granola-peasant:

spoonerprince:

soulkiba:

tinysaurus-rex:

THE TINIEST FEET

@nueps

Watch her consider the finger

This is an Anna’s Hummingbird; named after Anna Masséna, Duchess of Rivoli.

Also, evidently hand feeding Hummingbirds is a kinda popular thing. All you have to do is put sugar-water that’s been dyed red or any other bright, flower like color in your hand and stand around some hummingbirds.

It highkey looks like that hummingbird just attacked that person’s hand and is now drinking the blood though. Lol

…have you ever met a hummingbird? They want nothing more than blood.

Red dye isn’t good for them, especially if they’re drinking a lot. Instead, make a fabric flower silhouette and train them to come to that in your hand for the sugar water underneath, then they’ll come to your hand without it once they learn. 

Don’t put red dye in your feeders, either, the red on the base is enough. 

Also, those tiny feet mean they can’t really walk. They can shuffle sideways a bit, but that’s it. The babies don’t really move in the nest until they start learning to fly.

carnivalsofsilverfish:

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hyena-princess:

thefingerfuckingfemalefury:

corezi:

what TLJ probably meant: poor Kylo Ren look he had a reason to come into the Dark Side his own uncle tried to kill him :’((( it’s also all Luke’s fault, blame him, he gave up on Ben so easy!!

what I, an intellectual, learned form TLJ: if Luke “there is still good in you dad Vader” Skywalker takes one look at Ben Solo’s mind and thinks this one is irredeemable then well, shit, I absolutely believe him

Kylo: luke tried to kill me when I was just a child!

What Rey Should have Said: And if he had then you wouldn’t have DESTROYED MULTIPLE PLANETS

Kylo: …..

Rey: YOU SLAUGHTERED BILLIONS

Kylo: …….

Rey: YOU MURDERED CHILDREN WITH A LASER SWORD

Kylo: okay but Luke…tried to kill me…

Rey: Because he saw your future where you murdered children and blew up planets

Kylo: Okay but if I WAS DEAD that would be BAD for me personally

Rey: But good for the billions of innocent people who you brutally murdered

Kylo: But…bad…for me…

So

TRAGIC

Rey: I don’t think you understand how this “Sad Backstory” thing works

Not just that, but literally IMMEDIATELY after almost getting killed by Luke he goes and kills all of the other jedi-in-training who won’t follow him. His first action after almost being killed, because Luke thought he was going to be evil, was murdering people.

I still can’t find the logical connection here like why would that be your second step

Honestly, I reckon Kylo’s “will he be redeemed?” trajectory is the opposite of Anakin’s, because we’re cued, in TFA, to think he might come back – not by Rey, whatever the Reylo’s might say, but because he’s Han and Leia’s child. Everything since that is him consistently proving that redemption is not on the table. I didn’t read Luke’s consideration of assasination and Kylo’s subsequent actions it as attempting to garner sympathy for Kylo, I read it as FUCKING TERRIFYING.

The thing is? As it stands at the end of TLJ, the position in the story that Kylo has maneuvered himself into is not that of Vader. It’s that of Sidious.

(As an aside, I STILL hold that I’ll believe Luke if he says he was considering killing Kylo, but I don’t think he would have done it in the dead of night while Kylo was asleep. He would have challenged him in the open. I think he ignited his sabre because he wanted to see Kylo’s face.)